Archives for posts with tag: Elucid

Sticking with Backwoodz Studioz for a minute, this week they announced the impending arrival of a new EP from Duncecap. This will be the first release from the New York artist since 2017’s Rapping is For Idiots and this time round, he is joining forces with ELUCID, who is handling full production on the EP. It’s due for release on 6 December and you can hear the first track, Waste of Money, below.

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In celebration of the remastered vinyl release of ELUCID’s 2018 album, Shit Don’t Rhyme No More, the Backwoodz Studioz artist has released a video montage of three tracks from the project. Lambskin, RRMW and Around the Sun are all in the mix, with each track given its own corresponding aesthetic backdrop. The remastered album is available to stream in full below and the vinyl edition can be found over on the Backwoodz store.

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Pleased to see the arrival of the new project from PremRock and Curly Castro, as they connect to form Shrapknel. The duo have been friends and collaborators for a long time, so this union makes a lot of sense, even more so when you hear the EP itself. Featuring some stunning production from the likes of ELUCID, Fresh Kils and Small Pro, Cobalt is the perfect introduction to Shrapknel, as we await the release of their full-length album, which is produced entirely by ELUCID and Backwoodz Studioz in-house wizard, Willie Green. You can stream Cobalt in full below, with downloads available via Bandcamp. Read the rest of this entry »

I love it when my favourite artists emerge from the shadows with unexpected new material; yesterday it was Blu, today it’s ELUCID and his excellently titled project, Every Egg I Cracked Today Was Double Yolked. According to the Armand Hammer MC, this is a collection of songs made on the fly while he has been travelling and touring throughout the year. And it’s still better than a lot of the material surfacing at the moment, which is further proof of ELUCID’s worth. There are downloads available via Bandcamp, or you can listen to the full thing below. Read the rest of this entry »

Among the superb albums that graced our Friday last week, was the latest offering from billy woods. A favourite of mine for a while now, woods has gone and made what will no doubt go down as a classic and a definite high point in a career that is stacked with strong projects. And he hasn’t done it alone. For Hiding Places he has gone down the single producer route, as he previously did with Blockhead, this time joining forces with Kenny Segal. Read the rest of this entry »

More beautiful, abstract raps from nOstrum grOcers – aka Milo (aka r.a.p.ferreira) and ELUCID – as they reunite for Daisy Neohoodoo Anthemic No. 99. Watch out for their tour of the UK and Ireland next month, which you can find more information about here.

As I reported at the end of last month, a new Sean Price album was looming thanks to a collaboration with Philly producer, Small Professor. 86 Witness arrived in full on Friday and serves as a worthy addition to P’s weighty back catalogue. As alluded to in the title, the album is a homage to 1986 so expect a lot of timely references in the track names and beyond. Unlike some posthumous projects, 86 Witness has a really solid flow to it and is devoid of the clunky sound that plagues other releases made in a similar fashion. Read the rest of this entry »

A short but alluring film was gifted to us over Christmas, with a focus on one of 2019’s strongest releases – Paraffin by Armand Hammer. ELUCID and billy woods scored another critical success with their fourth release, rightly finding themselves in amongst the multiple end of year lists and best of categories that surfaced recently. This film, made by someone known only as Joseph, features a heady brew of live excerpts and behind the scenes footage, spliced with some almost Lynchian cut scenes. It’s basically the ideal accompaniment for the album. Paraffin is out now on Backwoodz Studioz.

It was already a phenomenal year for hip hop, but the last month is seeing a flurry of releases that are pushing the standards even higher. One of them is Curly Castro’s solo effort, TOSH. The album is apparently inspired by George Orwell, Spike Lee and MF Doom, as well as Castro’s own background – West Indies, Philly and Brooklyn – resulting in a richly diverse sound throughout. That diversity is also thanks in part to the range of producers who are involved. There are beats from the likes of Blockhead, Blueprint, Zilla Rocca, Messiah Musik and NASA, as well as features from billy woods, PremRock and ELUCID, among others. When you put all those attributes together with Castro’s own inimitable talents, you get a worthy contender for your end of years lists. The album is available to stream below and you can grab a download over on Bandcamp. Read the rest of this entry »

Pleased to see the arrival of the lead single from Zilla Rocca’s long-awaited Future Former Rapper album. For Favors Are Bad News, the Philly artist has drafted in Armand Hammer aka billy woods and ELUCID, who are riding high off their recently released and rightfully acclaimed Paraffin project. This is Zilla’s debut on POW Recordings, the label attached to Passion of the Weiss, where Zilla is a regular contributor. Favors Are Bad News is produced by Disco Vietnam and you can listen to it below. Stay tuned for more news on the album coming soon. Read the rest of this entry »